The Spanish Trail – Tucson ‘Eyesore’ Getting A Facelift?

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History isn’t always pretty, but it occasionally gets a second chance.

This historic structure has long been considered a blemish on the face of this otherwise dusty, hideous wasteland of a city. Over the years, dozens of complaints have been filed for The Spanish Trail motel, a deteriorating mid-century hotel held together by cracked paint and inertia. Conveniently hovering over Interstate 10 along the edge of the city of South Tucson, it gives any newcomers from the east a fairly accurate impression of Tucson. I stumbled across an article today, however, indicating that a couple of investors have purchased the property and intend to breathe some new life into it.

In it’s own time, The Spanish Trail was a well-known destination. In the 1960’s and 70’s, live music & theater – and a Hollywood clientele – drew an eclectic crowd. Professional staff lived on-site in a series of duplexes north of the resort and the property boasted luxurious amenities. Today, of course, the housing has been replaced by a steel yard; the golf course, lagoon, running track, and cactus garden are gone.

This is where movie stars like John Wayne and Michael Landon lived (and visited) while working at Old Tucson Studios. The large area that still survives, a space-aged-looking concrete rotunda, was the Dinner Show Lounge. Time, vacancy, and a structure fire have left little to appreciate.

Despite how unkind the past few decades have been, the new owners have expressed an interest in redeveloping the property into permanent affordable housing, with an emphasis on providing homes for veterans.

There’s no set timeline for the forthcoming renovations, but I’ll be curious to see what happens to the old 70-foot sign. As always, other peoples’ eyesore is, to my twisted eye, a fascinating and beautiful relic.

July 31, 2017 – Before The Weight of the World

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“When I look in the mirror, I am slightly reminded of self-portraits by Durer and by Rembrandt, because they both show a degree of introspection. I see some element of disappointment; I see a sense of humour, but also something that is faintly ridiculous; and I see somebody who is frightened of being found out and thought lightweight.”
~Robert Winston

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June 21, 2017 – Mark Pierce

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What is there to say about Mark Pierce? The guy is a true original. A tattooed ruffian with a charming twang in his voice and a slow, smile sly that conveys an almost menacing confidence. He’s an alumnus of The West Texas Millionaires, a country group that calls Bisbee home, but he’s definitely got a punk edge. His torso is slathered in tattoos and he’s imbued with a country-punk style. Whether he’s slapping the stand-up base playing the fiddle, you’ll never mistake this gentleman as anything other than a showman.

These day’s he’s rockin’ a sizeable beard and is the proprietor or Bisbee Soap and Sundry.
You couldn’t miss him struttin’ down the road if you tried.

You can check out his shop’s page here.
You can check out The West Texas Millionaires here.

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June 16, 2017 – Serena Rose

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This hard-working multi-instrumentalist is more than just a musician. She’s woman who performs in multiple bands, makes amazing photographs, and pursues her creative impulses with an elegance and casual calm that causes photographic artists like me to pause, re-hinge my jaws, and ask “how on earth did she do that?” I first met Serena when I became acquainted with Randall Swindell, the front-man of Ensphere, several years ago.

I photographed Ensphere at their rehearsal/performance space downtown and managed to nab some photographs at a few of their performances at venues down on 4th Avenue, the highlight of which was the record release performance at Plush for their album ‘Corpuscle.’ Serena and Ensphere alum Michael Ludovici share a creative and romantic connection, performing together with Ensphere and with a side project as a duo under the moniker Dyadic.

Beautiful, multi-talented, and kind beyond measure, I recommend checking out Serena’s work:
Dyadic
Serena Rose Photos
Ensphere

Here’s one of my favorite photographs from Serena’s “Levitation” series.
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June 15, 2017 – Swindy

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Randall Swindell has been on the music scene in Tucson for years. I was fortunate enough to meet him several years back when he was the front-man for Ensphere. The ambient/progressive rock team has been through a couple of iterations throughout the years and have recently begun performing again. Randall also began his own solo project, Swindy, in July 2016 after teaming up with drummer Mike Jenney(Alter der Ruine & Assemblage 23) and guitarist Jeff Sargent (vocalist for Industrial Band 51 PEG).

Randall is a consummate performer, having also worked with Flam Chen, a pyrotechnic theater troupe here in Tucson. Swindy has shared the bill with Orgy, Powerman 5000, Trapt, Otep, Dope, Combichrist, William Control, and many others. He is a hard-working performer, an incredibly kind and generous personality, and continues to book shows out for 2017 while working on an upcoming full-length record.

Check out Swindy’s acoustic set of “Reflection” at KFMA below and hit them up on Facebook here.

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June 13, 2017 – Jessica Fleet Smith

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I’ve known Jessica Fleet Smith for a few years now. I’d always see her and her husband at Mimosa Market, a small bodega up brewery gulch in Bisbee, Arizona – one of those places tucked just far enough away that few tourists ever find it. She’s a unique creature, light-hearted and quick to smile, and always seemed rather shy. That’s part of what makes her so intriguing, I think. Effortlessly beautiful but secure in her relationship, appearing shy but absolutely confident enough to stand behind the microphone and perform in front of a gathered crowd. She’s a very genuine person, reserved and gutsy at the same time.

Today’s image is an unconventional one. I shared it on Facebook a few years ago after she performed with a group called Chasing Light at the Sidepony Express music festival. The classroom, news publications, critiques, and art critics drill into photographers that if the image isn’t tack-sharp, it isn’t worth looking at. This convention of “the image must be technically perfect” robs the photographer of so many opportunities. I’m a fan of atmosphere, of motion-blur, of selective focus – of the certain kind of mood that can be established using these tools. I think there’s something emotional and ethereal about images like this, taken from the crowd, imperfect and out of focus, and let’s face it – I’m no longer in the classroom, no longer pressured to make somebody else’s idea of the perfect picture.

I think this image captures Jessica’s bravery (and her distance) quite well.

Out of the Blue, the group Jessica is currently working with, doesn’t stray from Bisbee very often. But if you’re taking a trip down to the copper town that once was – if the fake, theme-park atmosphere of Tombstone doesn’t distract you from heading further south – I’d be sure to look ’em up. You can follow Out of the Blue on Facebook here.

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June 07, 2017 – Carlos Arzate

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Living in Tucson for a majority of the past fifteen years, I saw a lot of bands come and go. Many of my college buddies had garage bands and a few of them had it in them to hit the downtown music scene. Most of them have scattered to the wind these past few years as degrees were earned, families begun and careers established. There are some,though, who have had some serious staying power here in Arizona, and Carlos Arzate is one of them.

Carlos Arzate is a singer-songwriter, native to Tucson, whose songs draw inspiration from his personal life growing up in the Sonoran Desert. I believe I read an article in The Tucson Weekly that described his style as “Sonoran Soul.” It’s got a ring to it, but it implies a softness that, while present in many of his songs, doesn’t communicate the dynamism of his work.

Arzate is just as expressive and kind in person as he is on stage, and he’s deeply anchored in the music scene, collaborating with other prominent musicians. I have enjoyed every performance and would absolutely recommend checking out Carlos Arzate & The Kind Souls. The songs tell a story, communicate an emotion and paint atmospheric pictures.

This is one of my favorites, written as a first person narrative of a laborer who chooses to risk the dangerous journey across the desert to the United States in search of a better life.

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June 06, 2017 – Logan Phillips

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Lifted from his website, Logan Phillips explains what he’s all about in words more eloquent than I could conjure. Suffice it to say, being in the room while this man speaks is an experience; I have never been moved by spoken word or poetry, ever in my life, until I met this man. I’ve been moved to tears by Steinbeck and been affected by Virgil’s “Aeneid,” had my mind twisted and perplexed by Hume, questioned my reality because of Descartes and questioned my morality because of Kant, but I had never been struck, emotionally, by spoken word poetry. I had never seen an artist so skillfully weave his stories.
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“Poetry is holding the center, not hiding in the margins: we construct our world through words. Poetry is the art of putting into words all that which is otherwise unsayable, of constructing other ways of knowing.

No matter where I’m working––the DJ booth, the classroom, the art studio, the stage––I’m creating a poem; stringing together disparate elements to say something new, creating connections in collaboration with everyone in the room––

E.E. Cummings said he was ‘overly fond of that precision which creates movement.’ Poetry is word precision, poetry moves the world forward.”

~LOGAN PHILLIPS

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A lot of people immediately disregard poetry as something that just isn’t for them. The word itself, ‘poetry,’ elicits the trauma of under-enthusiastic English teachers and classmates murmuring, passionless, one after the other, lines of Emily Dickinson and Robert Frost in sterile high school classrooms. Many of us have a negative association with all kinds of art specifically because they were taught so poorly. Logan’s mission is to illustrate that poetry can be meaningful and moving, that it’s accessible and culturally significant. He participates in education programs and seeks to inspire creative passion in our youth, which is no small task.

I’ve enjoyed sitting-in during several of his readings, and encourage you to take a look at his work. You can learn more about him at his own website here.

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June 03, 2017 – Doug Stanhope

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What can I say about Doug Stanhope – people either know his comedy work or they don’t. Whether or not the name rings a bell, there’s a healthy chance you’ve seen him. He was a prankster on Spy TV, co-hosted The Man Show with comedian and podcaster Joe Rogan, and has an admirable collection of stand-up specials under his belt. He has also guest starred on Louis CK’s hit television show Louie, started his own podcast in 2013, has been collaborating with actor Johnny Depp, and recently drafted a book called “Digging Up Mother: A Love Story.”

When I moved to Bisbee, Arizona in 2011, I hadn’t ever heard of Doug Stanhope (although I realized after-the-fact that I had seen several of his works). During the annual Bisbee Home Tour, an elderly gentleman – who had been regaling me with treacherously graphic Vietnam war stories – told me about this interesting house he’d toured over in the Warren District – it was the Stanhope Compound. A few months later, my girlfriend and I were invited to a Superbowl party over there and all the pieces fell into place.

He was a gracious host. A pretty and relatively quiet guy, it seemed – a radical shift from his opinionated, anarchic, cynical stage performances. From everything I’ve gathered, he chose Bisbee because it’s a remote location, away from the madness of Hollywood. He spends a tremendous amount of time on the road, so it makes sense to have a quiet, sleepy, bizarre little high desert town to retreat to.

In the years since then, I’ve consumed just about as much of his comedy and writing as possible. His cynicism and outright rage at our political system, at social justice activism, and at art in general – almost always clutching a cocktail – absolutely resonates with me. I also found it refreshing to wander about the grocery store or stand in line at a local bodega for a cup of coffee and see a man like Stanhope – a successful performer and, by all accounts, a celebrity – milling about and saying hello to people just like anybody else; no grandeur, no need for a posse of sycophantic parasites, he doesn’t appear to treat anybody like they’re beneath him.

If the name doesn’t ring a bell, check him out. I believe Beer Hall Putsch is still on Netflix, and there are plenty of clips on YouTube to dig through.

Today’s image was taken at The Bisbee Royale in the winter of 2012, during a stand-up performance filmed by the BBC. He returned to The Royale in November 2015 to shoot No Place Like Home, which you can watch here. He’s a genuine talent and I am very honored to have had the chance to wander around backstage and take his photograph.

Illustration of the Deadbeat Hero

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May 30, 2017 – Tumacacori

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“You must not lose faith in humanity. Humanity is an ocean; if a few drops of the ocean are dirty, the ocean does not become dirty.”
~Mahatma Gandhi

Tumacacori is the site of Mission San José de Tumacácori, an 18th Century Franciscan mission. It takes its name from an earlier mission site founded by Father Eusebio Kino in 1691, which is on the east side of the Santa Cruz River south of the national park. This particular mission was founded at an extant native O’odham settlement and represents the first mission in southern Arizona.

The later Franciscan mission, now in ruins, was never rebuilt once it was abandoned after repeated Apache raids in the 19th century. Nearby Tubac was besieged in 1861.

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