June 30, 2017 – The Mission Creeps

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To close out a month of images of performers, musicians, circus acts, and poets, I decided to reach back to the Zombie Prom and the band The Mission Creeps, and a photograph of lead singer James Arr. The following is lifted from their website, which describes their style and method more effectively than I imagine I could:

“Hailing from Tucson, the same diverse music scene that spawned Calexico and Bog Log III, The Mission Creeps spin tales of a different, darker kind of desert, one of lonesome highways and ghost stories. Inspired by art and film noir and horror movies, The Mission Creeps take their cues from bands following similar inspirations, such as The Cramps, Screamin’ Jay Hawkins, Joy Division, and Deadbolt.

Rue Morgue Magazine described their sound as “awash in surf guitar” and noted singer James “Arr’s ability, much like Nick Cave, to switch between seductive narrative and a raving yelp.” Supported by the throbbing rhythms of bassist Miss Frankie Stein and drummer George “of the Jungle Beat” Palenzuela, a scary good time can always be had at their shows. With six releases, they continue offer up musical tales populated with witches, killer gnomes, and parties for the undead while providing beats that keep the body moving and the demons at bay.”

Every performance is memorable. These guys don’t phone it in.

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June 27, 2017 – Society1

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Years ago, when I was in college, I took it upon myself to do a photo documentary revolving around body modification subculture. I spent all of my free time in a local piercing and tattoo shop, going to weekend performances, and learning about both the contemporary execution and history of scarification and flesh-suspension practices. I hopped a ride to Los Angeles with the owner of the shop to attend a performance by a group called CoRE (Constructs of Ritual Evolution) at The Key Club on the strip.

I sat in the back seat of the car during most of the drive, hungover from a night of moaning about relationships and chatting about art with an old friend, and drinking way too many whiskey and sodas; I pretty-much felt like hell during the whole ride. On the long stretch outside of Yuma, in the front seat, the driver and his girlfriend sparked a joint, but all I could do was close my eyes and try not to feel nauseous. We rolled into Los Angeles after dusk, headlights scattered through red-flag smog-laden air, with about an hour to spare before the show.

The opening act was Society 1, a metal band founded by Matt Zane, a man concerned enough about his image enough to have removed his year of birth from his wikipedia page and edit-out his participation in the Los Angeles pornographic film industry. I don’t really understand why, of course; the attitude of metal is to not give a fuck about that kind of thing.

Society 1 performed a solid set and Zane was unforgettable. Halfway through the show, he sang while sitting prostrate, center stage, facing away from the audience, while hooks were installed in his upper back. He performed the second half of the show suspended from the flesh, microphone in hand, swinging above the audience. It doesn’t get more metal than that, kids. Definitely an experience I won’t forget.

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June 25, 2017 – Terry Wolf

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Artist, musician, rancher, motorcycle enthusiast, hippie, and so many things more, Terry Wolf is a force of nature. I don’t have her life story, but my understanding is that she has lived near and far, done a fair bit of traveling, and has endured about as much as life can throw at a person. She has her own patch of land outside of Historic Bisbee where she raises wolf pups and, on occasion, has bonfire celebrations where she invites the whole town to come down and dance, drink, and be merry by the fire.

She used to work a couple of days a week down at Mimosa Market, a small bodega up Brewery Gulch. Two of her wolf pups would sleep on the worn wooden floors all day while Terry stood behind the glass counter, manning the register. Her first husband’s ashes were scattered on the hilltop above Mimosa Market, where a man had constructed a makeshift shrine decades ago; the white cross at the top of the hill can be seen from the outskirts of town. She was also the very first person in Bisbee to buy one of my paintings – a Dia de los Muertos themed mariachi piece – which was a huge boost to a new artist in town struggling to get his footing.

Some of my favorite memories are listening to Terry play the guitar while John Cordes would play the fiddle – springtime afternoons on the outside porch at The Copper Queen Saloon. Folks from out of town would sit outside on Sunday mornings, drinking cold beer a mimosas, while Terry did her thing. On occasion Mark Pierce – another of this month’s performers – would drag out his stand-up base and play with the band.

Check out Terry Wolf and the Back Porch Swing here.

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June 22, 2017 – Beth Hart

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“His love is like fire on the floor/
It’s got me running for the door/
But I’ll be crawling back for more/
Of his fire on the floor”

Grammy-nominated singer/songwriter Beth Hart is an untamed bundle of electricity when she’s on stage and, even though she’s been making music for almost thirty years, she seems to be cranking out more and more great music with each passing year. ‘The Blues’ magazine called her “the ultimate female rock star,” and she performs like it. She’s recently produced albums of high praise and has collaborated with some of the biggest names in music.

I was fortunate enough to spend some time with her in the green room for a special holiday season performance a few years ago. Playing to a packed house, she was just as lively and personable onstage as she was backstage; when Beth’s in the room, all eyes are on her. Period.

In April 2015 she released “Better Than Home,” a critical and commercial success topping the Blues Charts and recognized as the No.4 best blues album of the year by Mojo magazine. She has also received a nomination from the American Blues Foundation for Contemporary Blues Female Artist. Her most recent studio album, “Fire on the Floor,” was released last year.

Check out Beth Hart’s website here.

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June 21, 2017 – Mark Pierce

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What is there to say about Mark Pierce? The guy is a true original. A tattooed ruffian with a charming twang in his voice and a slow, smile sly that conveys an almost menacing confidence. He’s an alumnus of The West Texas Millionaires, a country group that calls Bisbee home, but he’s definitely got a punk edge. His torso is slathered in tattoos and he’s imbued with a country-punk style. Whether he’s slapping the stand-up base playing the fiddle, you’ll never mistake this gentleman as anything other than a showman.

These day’s he’s rockin’ a sizeable beard and is the proprietor or Bisbee Soap and Sundry.
You couldn’t miss him struttin’ down the road if you tried.

You can check out his shop’s page here.
You can check out The West Texas Millionaires here.

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June 16, 2017 – Serena Rose

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This hard-working multi-instrumentalist is more than just a musician. She’s woman who performs in multiple bands, makes amazing photographs, and pursues her creative impulses with an elegance and casual calm that causes photographic artists like me to pause, re-hinge my jaws, and ask “how on earth did she do that?” I first met Serena when I became acquainted with Randall Swindell, the front-man of Ensphere, several years ago.

I photographed Ensphere at their rehearsal/performance space downtown and managed to nab some photographs at a few of their performances at venues down on 4th Avenue, the highlight of which was the record release performance at Plush for their album ‘Corpuscle.’ Serena and Ensphere alum Michael Ludovici share a creative and romantic connection, performing together with Ensphere and with a side project as a duo under the moniker Dyadic.

Beautiful, multi-talented, and kind beyond measure, I recommend checking out Serena’s work:
Dyadic
Serena Rose Photos
Ensphere

Here’s one of my favorite photographs from Serena’s “Levitation” series.
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June 15, 2017 – Swindy

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Randall Swindell has been on the music scene in Tucson for years. I was fortunate enough to meet him several years back when he was the front-man for Ensphere. The ambient/progressive rock team has been through a couple of iterations throughout the years and have recently begun performing again. Randall also began his own solo project, Swindy, in July 2016 after teaming up with drummer Mike Jenney(Alter der Ruine & Assemblage 23) and guitarist Jeff Sargent (vocalist for Industrial Band 51 PEG).

Randall is a consummate performer, having also worked with Flam Chen, a pyrotechnic theater troupe here in Tucson. Swindy has shared the bill with Orgy, Powerman 5000, Trapt, Otep, Dope, Combichrist, William Control, and many others. He is a hard-working performer, an incredibly kind and generous personality, and continues to book shows out for 2017 while working on an upcoming full-length record.

Check out Swindy’s acoustic set of “Reflection” at KFMA below and hit them up on Facebook here.

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