Kill Your Television

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So there was this one day when we had a lot of spare time, a case of beer, a JEEP with a failing transmission, a .22 caliber rifle and a television set that I’d been spending way too much time trying to fix. Call it ‘capricious youth,’ but there’s something cathartic about driving out into the desert and firing a few rounds into a useless item that needs to be put down.

My lady and I had a similar experience last week when we wanted to shampoo the carpet before assembling our baby’s new crib in the soon-to-be nursery. After struggling for about an hour and spilling water & cleaning solution all over the house, it was clear that the machine needed to be put out of its misery. I would have enjoyed driving out to the mountain and delivering a genuine and honest execution, but who has the time anymore? Instead, it was a gangland assassination commensurate with the xerox machine scene from Office Space, in the parking lot outside of our townhouse.

There’s nothing wrong with wanting to exhale some serious frustration.
My recommendation? Kill your television, not a person. Then make some art out of it.

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Hidden Color And The Utility Of Art

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When I was at university, one of my mentors said something that has stayed with me. It was obvious to me the he realized how the photography program was utterly failing its students by providing zero instruction on career development, small business management, or information on how to navigate the gallery system. I had a sense that he was as disappointed with the department as I was (and continue to be), but it was equally obvious how passionate he was about the craft with the time and attention he paid to those students who demonstrated a genuine interest in fine art and photography.

As innocuous or even silly as it sounds, I remember him saying that “everything you make is a self portrait.”
Everything you make is a reflection of your sensibilities, your attitudes, your appreciations, and your conflicts.

I don’t know why, exactly, but that sentence had a marked impact on how I began to approach each new project. Rather than trying to make the most beautiful print, or try to imagine what my audience might want, I began to think of each painting, each photograph, each mono-print or lino-cut as a part of myself – a thumb-print on a skyscraper, small and forgettable, but unique – rather than a ‘product’ or an attempt to fulfill some arbitrary notion of what other people may value as great art. The tension between commerce and art has always existed, and compromises almost always need to be made in creative professions. But that doesn’t prevent the artist from taking time out of his day to make something in the privacy of his home or studio, make anything, for no other reason than he thinks it’s interesting or beautiful.

I liken the creative process to meditation. It’s where I find my center after a hard day. It has navigated me through troubled relationships. It has connected me to other people and helped create very fruitful and lasting relationships.

A frustrated piece is only ever the result of having an idea in your head, the vision of exactly how you want it to look when it’s complete, and getting to that point can be hard – sometimes impossible. But just as often, tinkering with a sketchbook or fooling around in the darkroom – having a glass of wine and slapping some paint onto a canvas when there is no pressure to achieve a specific goal – and the artist is free to improvise and embrace their own intuition and stream-of-consciousness. And that’s when real magic can happen.

Wasn’t it Picasso who said that every child is born an artist, the problem is how to remain one as we grow up?
I think there’s truth to that. Going to school, memorizing dates and spitting out correct answers for the test, learning the formula to a successful job interview, paying bills and raising children, taking the car into the shop and watching tragedy after tragedy unfold on the nightly news – these things can tamp-down our artistic impulses, distract us from our Selves.

Art is a magic trick. A therapy. A language without syntax. I absolutely love it.

Now do me a favor and try to enjoy this stupid picture of a glass bottle, will ya? And while you’re at it, think about picking up a paintbrush or photographing the sunset, making a collage out of old magazines or designing a scrap-book page to commemorate last Christmas – it certainly won’t hurt you. Find an excuse to smile, and enjoy your weekend.

With much love,

-joe

Patterns In The Blacktop

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From my earliest days in the darkroom, before the digital revolution, I started veering toward abstract compositions. It seemed so incredibly counter-intuitive, contradictory even, to sculpt abstractions from camera images. In the beginning, the camera was designed to be the most accurate method for re-creating images from the world around us; before the camera, we relied on drawn and painted images to reflect the world. The painter’s hands could be biased, however, but the cold gaze of a lensed machine promised to never lie.

As an example, photo-mechanical images brought the true horror of war to the public, rather than the glorified tableaux as depicted in works like Emanuel Gottlieb Leutze’s “Washington Crossing The Delaware” or Eugène Delacroix’s “Liberty Leading The People.” Scholars in the field of visual culture studies credit broadcast television for helping galvanize the American public against the Vietnam War; with images of dying young men being beamed nightly into American households, it helped foment an unprecedented anti-war attitude.

The camera also liberated the painterly arts, which had been preoccupied with attempts to reflect the real world. Once the camera proved it could make the most accurate portraits, the most detailed architectural studies, we begin to see the painterly arts fragment into impressionism, expressionism, cubism, die brucke, de stijl, and a multitude of other styles. If we look at the timeline, we’ll see that this revolution in painting began at almost the exact same time that Henry Fox Talbot and Louis Daguerre patented their photographic technologies in the mid-1800’s.

The truth is, though, that the camera can lie just as effectively as anything else, and the photographer can be just as biased as the painter. The process is different, but the camera operator is perpetually editorializing, purely by choosing to photograph ‘this’ over here rather than ‘that’ over there. Framing, color, composition are all methods to generate atmosphere, convey emotion, manipulate the audience’s reaction to the images presented. With the modern advent of image editing software, it could be argued that the camera has the ability to both tell the objective truth and, at the same time, lie more effectively than virtually any other medium.

I think the reason I enjoy abstract photography is because it’s very difficult for it to become political. We respond to shapes, colors, and textures based on our own individual histories. Each viewer can have a potentially different reaction to an abstract composition, based solely on the emotional and intellectual experiences they carry with themselves into the room. I’m fascinated by the little details we miss on the way to the bus stop, making our morning coffee, walking down to the mail box. I like to think that, by making images like this one, I can help remind my audience that there are curious little things all around us, at all times, that we kind of choose to ignore. And if we could just slow down for a moment and look around, turn over the rocks and see what’s underneath, we might develop a greater attachment and appreciation for this tiny, insignificant little blue marble we have the unique and exquisite privilege to live on.

Creativity is one of the greatest gifts we possess, folks. Life is a blessing, and I hope each and every one of you has a wonderful day.

-joe

July 22, 2017 – Portrait of Caitlin

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“Youth is happy because it has the capacity to see beauty. Anyone who keeps the ability to see beauty never grows old.”
~Franz Kafka

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July 21, 2017 – Buckey, A Real Cowboy

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“If you haven’t fallen off a horse, then you haven’t been ridin’ long enough.”

Buckey was a real cowboy. He loved trail riding and he had a stable of horses that he took incredibly good care of. Sadly, he passed away not too long ago; I’m proud to have had the chance to ride with him and make this photograph.

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July 20, 2017 – The Red-Haired Woman

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“When you have a brush in your hand, inking a beautiful woman is a lot like running your hands over her.”
~Frank Miller

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July 19, 2017 – Vlad The Impaler

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Today’s image is a photograph of a retired screen print of Vlad Tepes, or Vlad The Impaler, derived from a popular A 1491 engraving from Bamberg, Germany. The history of this Romanian tyrant is interesting, especially his connection to the myth of Dracula, which is derived from his father’s name, Vlad Dracul (Vlad The Dragon).

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