“When you have a brush in your hand, inking a beautiful woman is a lot like running your hands over her.”
“Wild woman are an unexplainable spark of life. They ooze freedom and seek awareness, they belong to nobody but themselves yet give a piece of who they are to everyone they meet.
If you have met one, hold on to her, she’ll allow you into her chaos but she’ll also show you her magic.”
That is the lie of the gypsy woman.
The spark, the freedom, and the awareness? The gift and the magic? They aren’t real.
This is a portrait of a wandering spirit.
“Love of beauty is taste. The creation of beauty is art.”
~Ralph Waldo Emerson
‘Portrait Month’ plunging forward with an old photograph from several years ago. It’s still a ‘natural light’ image – I really never got used to working in a studio environment – but it’s still a pretty heavily-produced series we shot that day. I love working with unpredictable light and problem-solving on the fly.
I’m pretty sure she didn’t like most of the images – but then, she’s even more critical of herself than I am of my own work, which is already unfathomably extreme.
“If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument.”
“The severe portrait that is not the greatest joy in the world to the subject may be enormously interesting to the reader.”
This is a portrait of Laura, taken in the Rillito River wash during that bone-dry time before the monsoon rains.
Erin Christine Deo is a mysterious woman. I only met her the one time, several years ago at the Cabaret de los Muertos, so it’d be a challenge to try and put her qualities into words; I never got to know her that well. There’s something undeniably magnetic about the woman, though. She seems to draw attention even a room filled with people, and I can’t quite put my finger on it. She wasn’t the only beautiful belly-dancer to perform that night, but when she left the venue in a glowing yellow cloak, into the night and down toward The Grand Hotel & Saloon, it seemed like all eyes were on her.
I’m not sure precisely what she’s up to these days, but her social media presence indicates that she’s still performing, still her lovely hippie self at, according to her page, “The Department of Sunshine and Rainbows.” She certainly has the confidence and stage presence, and this is one of my favorite photographs from both years that I covered the Cabaret de los Muertos.’
You can follow her on Istagram HERE.
Caitlin is a magnetic and multi-talented woman. She’s also effortlessly mysterious; she seems almost shy and reserved when you spend time around her because she’s incredibly thoughtful and quiet. But she springs into action when the spotlight lands on her. Today’s images come from the 2012 ‘Cabaret de los Muertos’ in Bisbee, a nascent variety show that, sadly, only lasted two seasons. But hey, that’s small-town life. When one tradition fails to take root, there are always other interesting concoctions that spring up.
At the time, Caitlin was still studying art and living a couple hundred miles north in Prescott, Arizona, but with roots and family in Bisbee, she made the trip down and dazzled. Her first set was a tap-dance, dressed in red and black, and she caught everybody’s eye. In local theater, some presentations are humorously under-rehearsed (but usually beloved because the performers are locally known). This performance, however, was elevated beyond that modest ‘community theater’ standard. She absolutely killed it.
And I don’t think it’s even possible to take a bad photograph of her- truth words.
Porcelain skin, a dancer’s physique, and a captivating smile – she is a pleasure to watch. She sings, plays the flute, and dances, and she does all of these things with a grace, elegance, and professionalism that’s rare, especially for a woman her age. This quiet, seemingly shy blonde girl – with the perfect curly locks – is something special to behold.
But you’ll have to go to Bisbee if you want to see her.