A Portrait From The Abyss Of Abandoned Projects

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In the spirit of finishing old projects that’ve been gathering dust, I decided to unearth this portrait late last night when I found myself unable to sleep. I stalled on this painting years ago, completely frustrated with how it was turning out; I kept re-working areas of the canvas without any satisfaction. Working on it last night, though, I lost myself. Before I knew it, it was time to set the art aside, brush my teeth, and get ready for work.

Sometimes, I have discovered, it’s easy to stare at a composition for too long, to scrutinize it too much. There’s a kind of hypnosis that occurs. And when a piece isn’t quite turning out the way you want, all you can see are the imperfections. The problem areas overwhelm the rest of the composition and a discouraging futility settles in. It’s for this reason that I have so many incomplete projects laying about.

Something else I’ve discovered is that returning to an old ‘problem’ piece can be satisfying. Distance helps clear the cobwebs, and those problem areas don’t stand out as much. Solutions seem possible. The ‘writer’s block’ of the situation has faded away.

I slammed my head against the table so much over this painting and eventually gave up.
Last night, after a few hours, it all came together and became something I’m okay with.
I hope you enjoy it.

-joe

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July 22, 2017 – Portrait of Caitlin

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“Youth is happy because it has the capacity to see beauty. Anyone who keeps the ability to see beauty never grows old.”
~Franz Kafka

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July 20, 2017 – The Red-Haired Woman

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“When you have a brush in your hand, inking a beautiful woman is a lot like running your hands over her.”
~Frank Miller

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June 13, 2017 – Jessica Fleet Smith

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I’ve known Jessica Fleet Smith for a few years now. I’d always see her and her husband at Mimosa Market, a small bodega up brewery gulch in Bisbee, Arizona – one of those places tucked just far enough away that few tourists ever find it. She’s a unique creature, light-hearted and quick to smile, and always seemed rather shy. That’s part of what makes her so intriguing, I think. Effortlessly beautiful but secure in her relationship, appearing shy but absolutely confident enough to stand behind the microphone and perform in front of a gathered crowd. She’s a very genuine person, reserved and gutsy at the same time.

Today’s image is an unconventional one. I shared it on Facebook a few years ago after she performed with a group called Chasing Light at the Sidepony Express music festival. The classroom, news publications, critiques, and art critics drill into photographers that if the image isn’t tack-sharp, it isn’t worth looking at. This convention of “the image must be technically perfect” robs the photographer of so many opportunities. I’m a fan of atmosphere, of motion-blur, of selective focus – of the certain kind of mood that can be established using these tools. I think there’s something emotional and ethereal about images like this, taken from the crowd, imperfect and out of focus, and let’s face it – I’m no longer in the classroom, no longer pressured to make somebody else’s idea of the perfect picture.

I think this image captures Jessica’s bravery (and her distance) quite well.

Out of the Blue, the group Jessica is currently working with, doesn’t stray from Bisbee very often. But if you’re taking a trip down to the copper town that once was – if the fake, theme-park atmosphere of Tombstone doesn’t distract you from heading further south – I’d be sure to look ’em up. You can follow Out of the Blue on Facebook here.

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