A very healthy example of the ‘nouveau cirque’ movement includes a group here in Tucson called “Flam Chen,” a pyrotechnic theater company established in 1994. I was first exposed to them while making a documentary about a local piercing and tattoo organization while also assembling a thesis revolving around body-modification and Modern Primitive subculture.
In April 2010 the troupe performed at a locally famous tiki bar on Broadway, Kon Tiki (try the ‘scorpion bowl,’ guys – it’s serious). The torches in front of the establishment were lit for the first time in over twenty-five years and Flam Chen was the special guest to help commemorate the event.
Today’s image is of a woman named Aurelia Cohen – a musician, dancer, choreographer, and aerial-silk artist, just to name a simple fraction of her talents. Physically disciplined with undeniable stage presence, chances are good that people don’t forget if/when they’re lucky enough to see her perform.