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This is one of those old illustrations that sat, untouched, for years at a time. I’d eventually get around to it, do a little bit of work on it, get discouraged, and set it aside for another year. Just one of those projects that, at the very beginning I thought had some promise and I eventually lost my passion for.
But my passion for taking these orphaned, unfinished projects and finishing them? Definitely stronger.
Forcing myself back into this piece – inspired, as many of my illustrations are, by the cinema – I thought about the tradition of Western Films in American cinema, and how these themes have begun to resurface in movies like Logan, which intentionally and overtly borrowed from movies like Shane and The Cowboys. This piece, in fact, is a study from James Mangold’s 3:10 To Yuma – James Mangold also happens to be the same man who directed Logan.
This didn’t feel like work. It wasn’t a headache trying to finish it. I found a good flow and I’m glad to close the chapter. I hope you like it.
In my spare time, collecting vintage photographs, there are always a few that stand out. This one is almost a cliche – a bunch of suits with fedoras and cigarettes marching down the boardwalk like the gangsters in the opening scene of Reservoir Dogs. This photograph always pleased me, so naturally I had to share it.
“I am a firm believer that every few years one needs to shake one’s life through a sieve, like a miner in the Yukon. The gold nuggets remain. The rest falls through like the soft earth it is.”