June 09, 2017 – JP Harris

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A ran across this character in Arizona several years ago at a saloon. He and his crew were all very gracious and made some great music. It almost sounds deceptive to apply the term “country” to these guys, but that’s what they insist they absolutely are, eschewing all of the confusing classifications of music in this modern age. I can dig that. But this isn’t the kind of country you might imagine, what with pop country, americana, and other folk sub-genres . JP Harris has an edge, and I think it’s pretty apparent when you look at him.

A while after I met him, I was foolishly angered when one of my Facebook photographs – today’s photograph, in fact – wound up in an article without my permission. I was pretty hot-headed back then and didn’t react kindly, but I’m hoping there isn’t too much love lost (but hey, it’s difficult to tell). It’s hard to accept how little currency a photograph carries these days, but in a world where everybody is in the picture-making business – in a world where everybody has a camera in their pocket, on their phone – it’s just one of those things.

In the final analysis, “Facebook” means “free to all.” I don’t have to like it – just as musicians, I’m sure, have to suck it up when dealing with digital distribution and file sharing – but I guess that only means that I have to continue to adapt and try to find new ways of building value in the images I make.

Challenge accepted.

JP Harris was born only a couple of weeks after me, in the year of our lord 1993. According to the bio I found on his website, “he left home on foot at the age of 14, traveling via thumb and freight train, living the next 4 years mostly from a backpack, a tarp, a bedroll. Eventually landing in the northeast, he worked as a farm laborer, equipment operator, lumberjack, luthier, and carpenter.”

It ain’t about the age of the model – it’s all about the mileage. And JP Harris has lived at least a couple of lifetimes in his thirty-four years.

His first all-original album, “I’ll Keep Calling,” won “Best Country Album of 2012” in the Nashville Scene. He won the same honor at the Independent Music Awards, landed a cameo on NPR’s ‘American Routes,’ and collected accolades in various print publications. Rolling Stone has named JP Harris one of 2014’s “Country Tours Not To Miss,” as well as one of “21 Must-See Country Acts at SXSW 2015.”

Check out what’s going on with JP Harris today.
You can find him on Facebook here.

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June 08, 2017 – All Souls

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There really isn’t much that I have to say about All Souls. For anybody who has lived in Southern Arizona, you already know about it. For everybody else, the All Souls Procession is a Tucson tradition that culminates in a community-wide procession through the downtown area, ending with a grand finale of pyrotechnic theater, live music, and acrobatics. The event first began in 1990 by a local artist, Susan Kay Johnson, who wished to express her sadness over the loss of her father; she wanted to ritualize her grief and create an event, much like Dia de los Muertos, to honor the dead.

Tens of thousands participate every year. People start to gather along 4th and 6th avenues before sun-down, arriving in costume, tailgating and helping paint each other’s faces in a fashion reminiscent of Day of the Dead. Jugglers and street performers, musicians and stilt-walkers weave through the throngs of people. Participants are encouraged to write notes to the dead on pieces of paper and deposit them into a giant urn that leads the procession – once the urn reaches the end of the procession, it is elevated above the crowd and set ablaze.

I have never seen a not-for-profit, grass-roots community event like this anywhere else. It’s an amazing thing to see.

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June 07, 2017 – Carlos Arzate

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Living in Tucson for a majority of the past fifteen years, I saw a lot of bands come and go. Many of my college buddies had garage bands and a few of them had it in them to hit the downtown music scene. Most of them have scattered to the wind these past few years as degrees were earned, families begun and careers established. There are some,though, who have had some serious staying power here in Arizona, and Carlos Arzate is one of them.

Carlos Arzate is a singer-songwriter, native to Tucson, whose songs draw inspiration from his personal life growing up in the Sonoran Desert. I believe I read an article in The Tucson Weekly that described his style as “Sonoran Soul.” It’s got a ring to it, but it implies a softness that, while present in many of his songs, doesn’t communicate the dynamism of his work.

Arzate is just as expressive and kind in person as he is on stage, and he’s deeply anchored in the music scene, collaborating with other prominent musicians. I have enjoyed every performance and would absolutely recommend checking out Carlos Arzate & The Kind Souls. The songs tell a story, communicate an emotion and paint atmospheric pictures.

This is one of my favorites, written as a first person narrative of a laborer who chooses to risk the dangerous journey across the desert to the United States in search of a better life.

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June 06, 2017 – Logan Phillips

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Lifted from his website, Logan Phillips explains what he’s all about in words more eloquent than I could conjure. Suffice it to say, being in the room while this man speaks is an experience; I have never been moved by spoken word or poetry, ever in my life, until I met this man. I’ve been moved to tears by Steinbeck and been affected by Virgil’s “Aeneid,” had my mind twisted and perplexed by Hume, questioned my reality because of Descartes and questioned my morality because of Kant, but I had never been struck, emotionally, by spoken word poetry. I had never seen an artist so skillfully weave his stories.
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“Poetry is holding the center, not hiding in the margins: we construct our world through words. Poetry is the art of putting into words all that which is otherwise unsayable, of constructing other ways of knowing.

No matter where I’m working––the DJ booth, the classroom, the art studio, the stage––I’m creating a poem; stringing together disparate elements to say something new, creating connections in collaboration with everyone in the room––

E.E. Cummings said he was ‘overly fond of that precision which creates movement.’ Poetry is word precision, poetry moves the world forward.”

~LOGAN PHILLIPS

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A lot of people immediately disregard poetry as something that just isn’t for them. The word itself, ‘poetry,’ elicits the trauma of under-enthusiastic English teachers and classmates murmuring, passionless, one after the other, lines of Emily Dickinson and Robert Frost in sterile high school classrooms. Many of us have a negative association with all kinds of art specifically because they were taught so poorly. Logan’s mission is to illustrate that poetry can be meaningful and moving, that it’s accessible and culturally significant. He participates in education programs and seeks to inspire creative passion in our youth, which is no small task.

I’ve enjoyed sitting-in during several of his readings, and encourage you to take a look at his work. You can learn more about him at his own website here.

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June 03, 2017 – Doug Stanhope

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What can I say about Doug Stanhope – people either know his comedy work or they don’t. Whether or not the name rings a bell, there’s a healthy chance you’ve seen him. He was a prankster on Spy TV, co-hosted The Man Show with comedian and podcaster Joe Rogan, and has an admirable collection of stand-up specials under his belt. He has also guest starred on Louis CK’s hit television show Louie, started his own podcast in 2013, has been collaborating with actor Johnny Depp, and recently drafted a book called “Digging Up Mother: A Love Story.”

When I moved to Bisbee, Arizona in 2011, I hadn’t ever heard of Doug Stanhope (although I realized after-the-fact that I had seen several of his works). During the annual Bisbee Home Tour, an elderly gentleman – who had been regaling me with treacherously graphic Vietnam war stories – told me about this interesting house he’d toured over in the Warren District – it was the Stanhope Compound. A few months later, my girlfriend and I were invited to a Superbowl party over there and all the pieces fell into place.

He was a gracious host. A pretty and relatively quiet guy, it seemed – a radical shift from his opinionated, anarchic, cynical stage performances. From everything I’ve gathered, he chose Bisbee because it’s a remote location, away from the madness of Hollywood. He spends a tremendous amount of time on the road, so it makes sense to have a quiet, sleepy, bizarre little high desert town to retreat to.

In the years since then, I’ve consumed just about as much of his comedy and writing as possible. His cynicism and outright rage at our political system, at social justice activism, and at art in general – almost always clutching a cocktail – absolutely resonates with me. I also found it refreshing to wander about the grocery store or stand in line at a local bodega for a cup of coffee and see a man like Stanhope – a successful performer and, by all accounts, a celebrity – milling about and saying hello to people just like anybody else; no grandeur, no need for a posse of sycophantic parasites, he doesn’t appear to treat anybody like they’re beneath him.

If the name doesn’t ring a bell, check him out. I believe Beer Hall Putsch is still on Netflix, and there are plenty of clips on YouTube to dig through.

Today’s image was taken at The Bisbee Royale in the winter of 2012, during a stand-up performance filmed by the BBC. He returned to The Royale in November 2015 to shoot No Place Like Home, which you can watch here. He’s a genuine talent and I am very honored to have had the chance to wander around backstage and take his photograph.

Illustration of the Deadbeat Hero

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June 02, 2017 – Fire Dance

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A very healthy example of the ‘nouveau cirque’ movement includes a group here in Tucson called “Flam Chen,” a pyrotechnic theater company established in 1994. I was first exposed to them while making a documentary about a local piercing and tattoo organization while also assembling a thesis revolving around body-modification and Modern Primitive subculture.

In April 2010 the troupe performed at a locally famous tiki bar on Broadway, Kon Tiki (try the ‘scorpion bowl,’ guys – it’s serious). The torches in front of the establishment were lit for the first time in over twenty-five years and Flam Chen was the special guest to help commemorate the event.

relight

Today’s image is of a woman named Aurelia Cohen – a musician, dancer, choreographer, and aerial-silk artist, just to name a simple fraction of her talents. Physically disciplined with undeniable stage presence, chances are good that people don’t forget if/when they’re lucky enough to see her perform.

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June 01, 2017 – The Song-Man

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I’ve been trying to pick some kind of theme for each month and, after looking through the endless archive of images I’ve collected over the years, decided that I would see if I could identify a month’s worth of interesting “music and theater performance” images to share. I’m not a veteran concert photographer and I’ve always have a difficult time getting good images; low light environments and a pitiful lack of knowledge regarding flash photography and artificial light, I’m sad to admit that the terrible photographs outweigh the good ones by a sizable margin.

Nevertheless, I have managed to squeeze-out a few good moments.

We begin today, on the first of June, with the image of a guitar-man wielding his instrument. I lament that I don’t even recall his name. All I recall is that he was an opening performer at a night club in Bisbee, Arizona – a one-man band whose performance was nothing short of mesmerizing. He made the guitar do things I hadn’t seen before, making it both a percussive instrument as well as constructing a melody. It was close to magic, what he was able to do, and the room fell completely silent when he began to play.

If you recognize this man, please add his name in the comment section at the bottom of this post.
“Performance June” has officially begun. See you all tomorrow!

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May 31, 2017 – San Rafael Valley

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To end the month of ‘places’ I figured I’d share a picture that doesn’t really require many words. Sunrise in the San Rafael Valley, in southern Arizona along the border, is some of the most beautiful countryside I’ve ever set eyes on, traveled through, camped in. There’s no other place in the world like this little pocket of heaven; it’s high desert, remote, dangerous, and hot, but it’s also unique, majestic, and largely untouched by man.

It’s the picture of heaven – at least, if you were to ask me.
Farewell, May. Let’s see what June has in store…

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May 30, 2017 – Tumacacori

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“You must not lose faith in humanity. Humanity is an ocean; if a few drops of the ocean are dirty, the ocean does not become dirty.”
~Mahatma Gandhi

Tumacacori is the site of Mission San José de Tumacácori, an 18th Century Franciscan mission. It takes its name from an earlier mission site founded by Father Eusebio Kino in 1691, which is on the east side of the Santa Cruz River south of the national park. This particular mission was founded at an extant native O’odham settlement and represents the first mission in southern Arizona.

The later Franciscan mission, now in ruins, was never rebuilt once it was abandoned after repeated Apache raids in the 19th century. Nearby Tubac was besieged in 1861.

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May 29, 2017 – Driftwood

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No man ever steps in the same river twice, for it’s not the same river and he’s not the same man.
~Heraclitus

During my time living in the more remote areas of Cochise County in Southeastern Arizona, I made it a point to walk along the trails that followed the San Pedro river. Depending on the time of year, different wildlife could be spotted, from roosting owls to large fish and frogs, as well as javelina, coyotes, and deer.

I could easily fill an album with photographs of the flowers, the driftwood, the butterflies and the beaver dams.
For some reason, this image always stood out to me.

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