“The so-called Left-Right political spectrum is our creation. In fact, it accurately reflects our careful, artificial polarization of the population on phony issues that prevents the issue of our power from arising in their minds.”
“Most of my photos are grounded in people, I look for the unguarded moment, the essential soul peeking out, experience etched on a persons face.”
“It’s not how a photographer looks at the world that is important. It’s their intimate relationship with it.”
Portrait month continues with this cute little duo, taking a little break at the park.
A ran across this character in Arizona several years ago at a saloon. He and his crew were all very gracious and made some great music. It almost sounds deceptive to apply the term “country” to these guys, but that’s what they insist they absolutely are, eschewing all of the confusing classifications of music in this modern age. I can dig that. But this isn’t the kind of country you might imagine, what with pop country, americana, and other folk sub-genres . JP Harris has an edge, and I think it’s pretty apparent when you look at him.
A while after I met him, I was foolishly angered when one of my Facebook photographs – today’s photograph, in fact – wound up in an article without my permission. I was pretty hot-headed back then and didn’t react kindly, but I’m hoping there isn’t too much love lost (but hey, it’s difficult to tell). It’s hard to accept how little currency a photograph carries these days, but in a world where everybody is in the picture-making business – in a world where everybody has a camera in their pocket, on their phone – it’s just one of those things.
In the final analysis, “Facebook” means “free to all.” I don’t have to like it – just as musicians, I’m sure, have to suck it up when dealing with digital distribution and file sharing – but I guess that only means that I have to continue to adapt and try to find new ways of building value in the images I make.
JP Harris was born only a couple of weeks after me, in the year of our lord 1993. According to the bio I found on his website, “he left home on foot at the age of 14, traveling via thumb and freight train, living the next 4 years mostly from a backpack, a tarp, a bedroll. Eventually landing in the northeast, he worked as a farm laborer, equipment operator, lumberjack, luthier, and carpenter.”
It ain’t about the age of the model – it’s all about the mileage. And JP Harris has lived at least a couple of lifetimes in his thirty-four years.
His first all-original album, “I’ll Keep Calling,” won “Best Country Album of 2012” in the Nashville Scene. He won the same honor at the Independent Music Awards, landed a cameo on NPR’s ‘American Routes,’ and collected accolades in various print publications. Rolling Stone has named JP Harris one of 2014’s “Country Tours Not To Miss,” as well as one of “21 Must-See Country Acts at SXSW 2015.”