May 20, 2017 – Western Kansas

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You don’t realize how wonderful it is until it’s gone – isn’t that how the saying goes?

An eighteen-year-old version of myself couldn’t wait to get out of Kansas, to leave the plains behind and start a new life someplace different. I think that comes pretty natural to a lot of folks, but I really couldn’t wait to get away – to dive into new experiences and embrace the discomfort.

That was half a lifetime ago. I’m a man in his mid-thirties now, and the world looks a lot different than it once did. Adventure seems easier and life seems less complicated somehow, even though a lot of the idealism and hope and optimism has been tempered by various broken relationships, job losses, and debts. The upswing is that I have never put down the camera; if anything, the camera continues to fuel my optimism, my love of small experiences, my appreciation of the little details.

Life isn’t perfect, that’s for sure. But how could we ever deny the beauty of a long, slow-burning sunset?

Once upon a time, I wanted to escape the Midwest. Now I enjoy it, more and more, every single time I return. This is a photograph I made driving through the most remote areas of Western Kansas. Completely flat, nothing but farms, unincorporated towns, and a dreadful lack of gas stations. But there is beauty here, that much is certain.

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May 19, 2017 – Somewhere In New Mexico

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Hillsboro, New Mexico, is one of those places you would never know existed unless you intentionally decided to go out of your way. Luckily for me, that’s something I try to always do when traveling cross-country. The interstate is efficient, but it divorces the driver from the surrounding world; state routes always take you through winding paths, beautiful scenic views, and into strange little towns.

Hillsboro is due north of Deming, New Mexico, just off state route 152. It’s right on the edge of the Gila National Forest, and the winding road takes you through some absolutely gorgeous territory. When I last passed through, it was late October and the trees were dropping yellow leaves all around. The town proper is tiny – if you blink, you’ll miss it. There’s a post office, a couple of empty store fronts, and quaint little manicured lawns. According to the 2010 census, only 124 people live here. Like so many other small towns of the Southwest, Hillsboro was primarily a mining town, but even at its height in the late 1880s, the population never swelled past one thousand.

Always keep your eyes peeled when you’re on the road. There are a lot of interesting little places out there, just waiting for you.

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May 18, 2017 – Middle of Nowhere

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If I could, I would live my entire life on the road. I’ve been told that I can be a frustrating travel companion, always wanting to take the longer route, avoiding the interstate, and stopping constantly to take pictures. The obsession with ‘making good time’ has ruined travel for a lot of people – for me, it’s the diners, the gas stations, the random encounters, the getting lost of it all that means the most.

I make frequent stops and I ask a lot of questions, and I always have my camera with me.
There’s a lot to see out there and I’m just the kind of guy who finds boring things, like today’s image of the day, to be really interesting. But when you’re the kind of guy who can fill ninety minutes fidgeting with a few paper clips and a rubber band, or folding index cards into paper footballs, then photography is one hell of a great passion to develop; there’s never a dull moment because there’s always something new to discover.

Today’s image was made in the middle of nowhere, and I don’t take notes. I’m pretty sure this is somewhere in unincorporated areas of Western Kansas, but this could be New Mexico, too. That whole region looks the same, really, and driving through it feels like an eternity. But it’s the perfect stretch of road to turn on the radio, roll the windows down, and let your thoughts drift. There’s nothing more glorious than flying down the road with only your thoughts (and maybe your camera) to keep you company.

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May 17, 2017 – The Warehouse District

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I can guarantee you that I’ve published this image before – probably on this website – but I’m too lazy to search around and confirm it. Regardless, this is one of my favorite images from that period of my life. I had recently been laid off, and my girlfriend left me for one of my other good friends – a bass player in a local band – and I was pretty much the definition of ‘down and out.’

Pretty melodramatic in hindsight, but I was living in a renovated garage with no air conditioning or heat – the place was a cinder-block dump, maybe four hundred square feet with termites and concrete floors and a bathroom smaller than a closet. The monsoon was sticky and hot, and I remember nights huddled in the shack with friends, hand-rolling cigarettes and listening to music, playing guitar, passing the time with idle conversation and cheep beer. I didn’t have much, but I didn’t need much. It wasn’t a bad time, looking back – it was just difficult, and new. A few romantic flings, a minimal approach to living, few responsibilities – I made it through.

I used to ride my bike, every day, to Raging Sage, a coffee house a couple miles down the road. I probably read two books a week during that period of unemployment. I always kept my camera with me, too. I rode all around the city looking for interesting things to photograph. South Euclid Avenue was filled with interesting textures, buildings, warehouses, graffiti, and other industrial ephemera. And this is one of my favorite images from that period, right along the railroad.

Sometimes having nothing – or next to nothing – can be the most liberating thing in the world. I had a couple of months where I didn’t have to answer to anybody. Sure, I was applying for work and trying to get back into the market, but I had a lot of extra time, and it was extra time that I had never experience before in my entire life. I read books and rode my bike, entertained guests at my little casita, and enjoyed the company of a few lovely women. Looking back, it’s one of the more romantic periods of my life, and I wouldn’t trade it for anything.

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May 16, 2017 – Downtown

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“Simplicity is the ultimate sophistication.”
~Leonardo da Vinci

I think there’s an elegant truth to this quote, in both concrete and abstract ways. I have always had a difficult time explaining to people why I enjoy abstract and minimalist artwork, and a lot of what I enjoy has to do with the absolute lack of concrete meaning; the viewer can bring their own ideas and emotions and sensibilities into their individual interpretation.

An abstract piece of art can be something different for each and every person who sees it.

When it comes to lifestyle, simplicity can also be an important thing. We seem to be in the habit of accumulating things, surrounding ourselves with mountains of stuff. There’s no judgement as I write these words; I am a textbook example. I often describe myself to others as a ‘collector’ – of films, albums, books, graphic novels, trading cards, photographs, artwork, and so much more. But letting go of things can be incredibly uplifting and liberating.

Today’s image is of an old auto repair shop – you can just barely read the old lettering on the sign. This was downtown Tucson, sometime around 2010, as the whole city crumpled under the economic downturn. Construction projects shut down and half-completed houses and apartments and businesses became graffiti magnets and squatter territories. Small businesses closed down and others trimmed their workforce to try and stay afloat – I was eventually laid off from my own job, and I spent my time in-between job interviews riding my bike around town taking photographs. Houses were abandoned and plywood replaced windows. It was a strange time.

At some point I may go back and re-photograph some of the scenes I’ve shared during this ‘Image a Day’ project. I’d be curious to see what’s still there and how things have changed. But that’ll be a project for another day.

Hope all is well with you.
Cheers.

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May 14, 2017 – After The Tornado

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I wouldn’t ever expect most people to have their thumb on the pulse of what happens in small towns in the middle of Kansas, but today’s photograph comes from a little place called Greensburg. In May of 2007 around nine o’clock at night, an EF5 tornado tore through the city center. Estimated at 1.7 miles in width, with winds in excess of 200 mph, it was later confirmed that ninety-five percent of the entire community had been destroyed by the tornado.

The above photograph was taken on November 1st, 2012, more than five years after the devastating storm. A tremendous amount of rebuilding has been done, but there are whole grids of roads that used to be housing subdivisions that are, today, just empty lots with foundations not entirely different from this one.

I drive through this town every time I return to Kansas City from my Arizona home to visit family. I stop at the same gas station every time I pass through.

Greensburg, twelve days after the 2007 tornado.

After the tornado, the Greensburg city council passed a resolution stating that all city buildings would be built to ‘LEED (Leadership in Energy and Environmental Design) Platinum’ standards, making it the first city in the nation to do so. Greensburg has been rebuilding as a “green” town, with just the right name to support the decision. At this point in time, the city’s power is supplied by ten 1.25 MW wind-turbines, which can been seen blanketing the plains outside of town.

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May 13, 2017 – Tucson Rail-yard

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I have published various iterations of this image. I took a lot of pictures that day, my feet crunching through the stones alone the railroad tracks. In this particular section in downtown Tucson, the rail-line runs behind warehouses and various artist spaces. I remember going out back during a show I was performing in at a place called, at the time, The Space. It was a fashion and music showcase, and I was wearing these amazing custom-made pantaloons and a painted-on curly mustache for a little performance piece.

Booze was flowing, and we were able to override the city ordinance by accepting donations, rather than accepting cash, for liquor. Art was on the walls and the music was loud, and I was half-clothed, wandering around without my glasses, pretty-well out of my mind. Halogen track lights on red brick and a clutch of people dancing and laughing. We’d congregate on the back stoop, a small group of us, on a rickety wooden platform with three precarious steps down to the graveled ground, just ten feet from the rail line. I remember hunkering down, red wine in a plastic cup, smoking a cigarette, as the train whooshed by, drowning-out our conversation.

Ten years later, I realize that these are the stories I’ll be telling to younger people. You know, “when I was in college” or “when I was your age” type of stories. Speaking about when times were more innocent, when the rules were more relaxed, when we got away with murder and still can’t believe it. I think this happens with every generation. I’m glad I was wild and reckless and had a memorable night in a strange performance space along Congress Avenue, with a collective of creative and free spirits, huddled against the darkness, in this tiny little corner of the cosmos.

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May 11, 2017 – Père Lachaise Cemetery

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This is an image that I have always loved, and it was a happy accident. After traveling through Europe, I came home with a giant pile of film that needed to be developed. I was still in my early days with photography and most of what I brought home was absolute garbage – but I shot enough film that I ‘lucked’ my way into a few decent images.

While I was in the darkroom, drawing my first prints from the Paris Cemetery rolls, somebody came in and flipped the lights on, not knowing that I was there. When this happens while a print is being lifted, it can create an effect known as ‘solarization,’ where the light short-circuits the developing process because the printing-out paper is still light sensitive. That’s why the highlight areas of this image are a neutral gray with what appear to be glowing edges.

I can’t even recall whose tomb this is; I just remember that the carving grabbed my attention and I took a photograph of it. Maybe somebody out there knows – let me know in the comments.

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May 10, 2017 – Service

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“All photographs are memento mori. To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt.”
~Susan Sontag

I’m not sure if this place still exists. Unfortunately, I don’t even remember where it is. It’s probably somewhere on South Stone Avenue, or in the warehouse district on South Park Avenue. I suppose I could look it up, but it really isn’t important. I just remember riding my bike through the wrecked car lots, the warehouses, over the railroad tracks by the lumber yards and steel yards and welding operations.

I try to image what these places must have looked like when they were brand new. I can’t seem to conjure the image in my head. I don’t think I’ve ever seen a salvage yard or a warehouse that looked clean and new, with fresh signage and rust-free construction. These places always look like they’ve been there forever – they always look old. Old and tired.

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May 09, 2017 – The Blue Door

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This is a building on Subway Street in Bisbee, Arizona, a small town that used to be the most productive mining operation in America. The mine isn’t fully operational today, and the town was in danger of becoming a ghost town after the mine shut down several decades ago. Low property values motivated an influx of artists, hippies, and dropouts, and it has become something of a vacation destination. It’s a beautiful town with a service industry, hotels, and local markets – one-hundred miles from Tucson, and one-hundred years away from modern life.

Sadly, this doorway is now obscured by a metal gate, and has been repainted several times. Famously, even though there’s no solid proof, this building is the oldest structure in Bisbee. It was supposedly once owned by screen actor John Wayne, and is currently a residence available for rent; I used to live in the small apartment next door. It’s a simple little building with few windows, dark inside but built to remain cool in the Arizona heat without the advantage of modern air conditioning. I managed to photograph the outside of the building before a gate was erected and a metal door was installed. It was genuinely beautiful.

But like so many beautiful things, it had to be covered, protected, and removed from the public eye.
I’m just glad I got there before it disappeared.

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