Tag Archives: minimal

May 16, 2017 – Downtown

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“Simplicity is the ultimate sophistication.”
~Leonardo da Vinci

I think there’s an elegant truth to this quote, in both concrete and abstract ways. I have always had a difficult time explaining to people why I enjoy abstract and minimalist artwork, and a lot of what I enjoy has to do with the absolute lack of concrete meaning; the viewer can bring their own ideas and emotions and sensibilities into their individual interpretation.

An abstract piece of art can be something different for each and every person who sees it.

When it comes to lifestyle, simplicity can also be an important thing. We seem to be in the habit of accumulating things, surrounding ourselves with mountains of stuff. There’s no judgement as I write these words; I am a textbook example. I often describe myself to others as a ‘collector’ – of films, albums, books, graphic novels, trading cards, photographs, artwork, and so much more. But letting go of things can be incredibly uplifting and liberating.

Today’s image is of an old auto repair shop – you can just barely read the old lettering on the sign. This was downtown Tucson, sometime around 2010, as the whole city crumpled under the economic downturn. Construction projects shut down and half-completed houses and apartments and businesses became graffiti magnets and squatter territories. Small businesses closed down and others trimmed their workforce to try and stay afloat – I was eventually laid off from my own job, and I spent my time in-between job interviews riding my bike around town taking photographs. Houses were abandoned and plywood replaced windows. It was a strange time.

At some point I may go back and re-photograph some of the scenes I’ve shared during this ‘Image a Day’ project. I’d be curious to see what’s still there and how things have changed. But that’ll be a project for another day.

Hope all is well with you.
Cheers.

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April 06, 2017 – Latch

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Somebody designed it. Somebody dug the ore out of the ground. Somebody smelted the ore to separate the metal from other materials. It was liquefied and molded, painted and installed. It’s just a simple latch – nothing more and nothing less. But the material likely circled the world a couple of times before it wound up affixed to the back of a delivery truck on the loading dock of a grocery store in Tucson, Arizona.

And I really do find it kind of remarkable – the sheer complexity of it. I also think that there’s an elegant beauty to all of the little things we, collectively, have invented, designed, assembled, and put to use. The average person doesn’t understand how tumblers work in a simple door lock, and I saw an incredible TED Talk where the presenter asked people in the audience to please illustrate precisely how a zipper works. These are things we use every single day, and we take them completely for granted.

Take a closer look at the objects you interact with every single day, and think about where they came from, and how they came to be in your possession. You might just appreciate what you have a little bit more, and you might just find yourself marveling at how we, as a species, have arranged our world.

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January 26, 2017 – Black and White

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industrialabstractpostFINE ART PRINTS AVAILABLE HERE
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One of my friends – more of an activist, politically motivated, and extreme personality – once commented that my work specifically seeks to “mean nothing at all.” This was over a decade ago, but I remember the comment; it made me think a lot about the kinds of images I was making at the time. I didn’t feel insulted, but I did feel compelled, initially, to try and defend myself.

My natural instinct was to disagree (and I did disagree), but it was the first time I really sat down and tried to apply meaning to the photographs and paintings I was making. And it made me think about the utility of abstract imagery in a broad and general sense, too.

I don’t think all artwork needs to be a didactic teaching tool, or direct the thoughts and emotions of the viewer. In fact, in many circumstances, I have a contrary opinion. I am seduced by abstract compositions specifically because they can mean any number of things to any number of people. The possibilities aren’t infinite. Color, movement, composition, film grain, delicate or light brush strokes – these all guide our interpretation and emotional response. But abstract compositions allow us to think broadly about how an image impacts us, and the experience of viewing abstract art becomes very personal. An abstraction can remind us of a specific event, a movie we watched, an experience we had – and in an almost slight-of-hand kind of way, through some peculiar magic, an image made by a complete stranger can ascend to significance in the hearts and minds of the individuals looking at it.

I am compelled to make pictures like this for reasons that still evade me, but I make them because they affect me, they move me, they touch a part of my subconscious and tickle a part of my mind. I can’t expect images like this to be universally adored, but I have to have faith, as an artist, that there are other people out there, like me, who find this kind of composition interesting.

The hardest thing for an artist to do is follow their instincts. If I listened to all of the criticism, all I would do is try to mimic the landscapes of Ansel Adams or take endless ‘desert sunset’ pictures. There are plenty of those images in the world, and I just need to make images of my very own.

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