Tag Archives: fine art

May 19, 2017 – Somewhere In New Mexico

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Hillsboro, New Mexico, is one of those places you would never know existed unless you intentionally decided to go out of your way. Luckily for me, that’s something I try to always do when traveling cross-country. The interstate is efficient, but it divorces the driver from the surrounding world; state routes always take you through winding paths, beautiful scenic views, and into strange little towns.

Hillsboro is due north of Deming, New Mexico, just off state route 152. It’s right on the edge of the Gila National Forest, and the winding road takes you through some absolutely gorgeous territory. When I last passed through, it was late October and the trees were dropping yellow leaves all around. The town proper is tiny – if you blink, you’ll miss it. There’s a post office, a couple of empty store fronts, and quaint little manicured lawns. According to the 2010 census, only 124 people live here. Like so many other small towns of the Southwest, Hillsboro was primarily a mining town, but even at its height in the late 1880s, the population never swelled past one thousand.

Always keep your eyes peeled when you’re on the road. There are a lot of interesting little places out there, just waiting for you.

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May 18, 2017 – Middle of Nowhere

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If I could, I would live my entire life on the road. I’ve been told that I can be a frustrating travel companion, always wanting to take the longer route, avoiding the interstate, and stopping constantly to take pictures. The obsession with ‘making good time’ has ruined travel for a lot of people – for me, it’s the diners, the gas stations, the random encounters, the getting lost of it all that means the most.

I make frequent stops and I ask a lot of questions, and I always have my camera with me.
There’s a lot to see out there and I’m just the kind of guy who finds boring things, like today’s image of the day, to be really interesting. But when you’re the kind of guy who can fill ninety minutes fidgeting with a few paper clips and a rubber band, or folding index cards into paper footballs, then photography is one hell of a great passion to develop; there’s never a dull moment because there’s always something new to discover.

Today’s image was made in the middle of nowhere, and I don’t take notes. I’m pretty sure this is somewhere in unincorporated areas of Western Kansas, but this could be New Mexico, too. That whole region looks the same, really, and driving through it feels like an eternity. But it’s the perfect stretch of road to turn on the radio, roll the windows down, and let your thoughts drift. There’s nothing more glorious than flying down the road with only your thoughts (and maybe your camera) to keep you company.

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May 16, 2017 – Downtown

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“Simplicity is the ultimate sophistication.”
~Leonardo da Vinci

I think there’s an elegant truth to this quote, in both concrete and abstract ways. I have always had a difficult time explaining to people why I enjoy abstract and minimalist artwork, and a lot of what I enjoy has to do with the absolute lack of concrete meaning; the viewer can bring their own ideas and emotions and sensibilities into their individual interpretation.

An abstract piece of art can be something different for each and every person who sees it.

When it comes to lifestyle, simplicity can also be an important thing. We seem to be in the habit of accumulating things, surrounding ourselves with mountains of stuff. There’s no judgement as I write these words; I am a textbook example. I often describe myself to others as a ‘collector’ – of films, albums, books, graphic novels, trading cards, photographs, artwork, and so much more. But letting go of things can be incredibly uplifting and liberating.

Today’s image is of an old auto repair shop – you can just barely read the old lettering on the sign. This was downtown Tucson, sometime around 2010, as the whole city crumpled under the economic downturn. Construction projects shut down and half-completed houses and apartments and businesses became graffiti magnets and squatter territories. Small businesses closed down and others trimmed their workforce to try and stay afloat – I was eventually laid off from my own job, and I spent my time in-between job interviews riding my bike around town taking photographs. Houses were abandoned and plywood replaced windows. It was a strange time.

At some point I may go back and re-photograph some of the scenes I’ve shared during this ‘Image a Day’ project. I’d be curious to see what’s still there and how things have changed. But that’ll be a project for another day.

Hope all is well with you.
Cheers.

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May 14, 2017 – After The Tornado

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I wouldn’t ever expect most people to have their thumb on the pulse of what happens in small towns in the middle of Kansas, but today’s photograph comes from a little place called Greensburg. In May of 2007 around nine o’clock at night, an EF5 tornado tore through the city center. Estimated at 1.7 miles in width, with winds in excess of 200 mph, it was later confirmed that ninety-five percent of the entire community had been destroyed by the tornado.

The above photograph was taken on November 1st, 2012, more than five years after the devastating storm. A tremendous amount of rebuilding has been done, but there are whole grids of roads that used to be housing subdivisions that are, today, just empty lots with foundations not entirely different from this one.

I drive through this town every time I return to Kansas City from my Arizona home to visit family. I stop at the same gas station every time I pass through.

Greensburg, twelve days after the 2007 tornado.

After the tornado, the Greensburg city council passed a resolution stating that all city buildings would be built to ‘LEED (Leadership in Energy and Environmental Design) Platinum’ standards, making it the first city in the nation to do so. Greensburg has been rebuilding as a “green” town, with just the right name to support the decision. At this point in time, the city’s power is supplied by ten 1.25 MW wind-turbines, which can been seen blanketing the plains outside of town.

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May 13, 2017 – Tucson Rail-yard

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I have published various iterations of this image. I took a lot of pictures that day, my feet crunching through the stones alone the railroad tracks. In this particular section in downtown Tucson, the rail-line runs behind warehouses and various artist spaces. I remember going out back during a show I was performing in at a place called, at the time, The Space. It was a fashion and music showcase, and I was wearing these amazing custom-made pantaloons and a painted-on curly mustache for a little performance piece.

Booze was flowing, and we were able to override the city ordinance by accepting donations, rather than accepting cash, for liquor. Art was on the walls and the music was loud, and I was half-clothed, wandering around without my glasses, pretty-well out of my mind. Halogen track lights on red brick and a clutch of people dancing and laughing. We’d congregate on the back stoop, a small group of us, on a rickety wooden platform with three precarious steps down to the graveled ground, just ten feet from the rail line. I remember hunkering down, red wine in a plastic cup, smoking a cigarette, as the train whooshed by, drowning-out our conversation.

Ten years later, I realize that these are the stories I’ll be telling to younger people. You know, “when I was in college” or “when I was your age” type of stories. Speaking about when times were more innocent, when the rules were more relaxed, when we got away with murder and still can’t believe it. I think this happens with every generation. I’m glad I was wild and reckless and had a memorable night in a strange performance space along Congress Avenue, with a collective of creative and free spirits, huddled against the darkness, in this tiny little corner of the cosmos.

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May 11, 2017 – Père Lachaise Cemetery

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This is an image that I have always loved, and it was a happy accident. After traveling through Europe, I came home with a giant pile of film that needed to be developed. I was still in my early days with photography and most of what I brought home was absolute garbage – but I shot enough film that I ‘lucked’ my way into a few decent images.

While I was in the darkroom, drawing my first prints from the Paris Cemetery rolls, somebody came in and flipped the lights on, not knowing that I was there. When this happens while a print is being lifted, it can create an effect known as ‘solarization,’ where the light short-circuits the developing process because the printing-out paper is still light sensitive. That’s why the highlight areas of this image are a neutral gray with what appear to be glowing edges.

I can’t even recall whose tomb this is; I just remember that the carving grabbed my attention and I took a photograph of it. Maybe somebody out there knows – let me know in the comments.

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May 07, 2017 – Blue Alley

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Somewhere in downtown Tucson, on South Stone Avenue, is this pretty little stretch of road. Most of it has been resurfaced, re-worked, restored, renewed. It’s polished and shiny today, but I was there several years ago and captured a lot of photographs of the neighborhood before everything was changed. In the summer, during the July monsoon, this part of town was devoid of people – it was quiet, with no traffic, and every building was covered in street art. I would ride my bike down here pretty often, even though I lived north of midtown at the time, to walk around with my camera.

It’s vandalism, sure. It may represent poverty or a devalued neighborhood. It may be considered by some to be ugly. I never really saw that. I always thought that the evolving canvas of these downtown buildings was beautiful. Here’s just one small little taste.

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Better Call Saul 3.04 – Sabrosito

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“Nice to fix something for once.”

Most of the entire run of Better Call Saul has split up its time between the story arc of Jimmy McGill (Bob Odenkirk) and the story arc of Mike Ehrmantraut (Jonathan Banks), the two primary protagonists. Their stories run parallel, too, as each character is confronted with certain opportunities and temptations. These characters are abundantly aware of the difference between right and wrong, and they both find ways to justify a bending and breaking of the rules.

The overarching plot of the series, at least in the early seasons, is designed to illustrate how these two characters are different and how they’re alike. Jimmy is painted as a reformed confidence-man attempting to leave his criminal ways behind. Mike is painted as a once-corrupt cop who, after the death of his son, is motivated to live a clean life and care for his son’s widow and granddaughter.

Jimmy craves success and Mike craves redemption.
Jimmy has raw ambition and Mike has a planet of regret resting on his shoulders.
Jimmy is frenetic and Mike is calm and collected.

The differences are glaring when we compare these characters side-by-side, which makes their similarities all-the-more compelling. In their own way, both characters break rules, break laws, lie, steal, and cheat in order to achieve their goals. They’re both lost souls. Better Call Saul seems to be interested in fleshing-out these characters individually before showing how they ultimately collide.

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This week’s episode, “Sabrosito,” begins in Mexico, with another little vignette with the yellow color-pallet established in Breaking Bad – yellow means Mexico, and it’s an effective visual storytelling element. The scene elucidates precisely how and why Hector Salemanca (Mark Margolis) has come to find a rival in the meticulous and successful Gus Fring (Giancarlo Esposito) – a question never completely answered in Breaking Bad. Like siblings at war with one another, the competition between Fring and Salemanca mirrors the tension between Jimmy and his older brother Charles (Michael McKean); anger, frustration, and sabotage.

This is one of the weakest episodes of the series. While all of the characters and stories in the Gilligan-verse are stylized, there’s a certain sense of believability that makes the characters sympathetic and the situations believable. Unfortunately, the idea of Hector Salemanca waltzing into the Los Pollos Hermanos fast-food chain and intimidating the patrons – and then holding the employees captive – rings as painfully unbelievable, as false, as genuinely sloppy from a story-telling perspective. The notion that not one single patron took it upon themselves to call the police after escaping an obviously dangerous situation is asking way too much from the audience. The speech that Fring delivers to his employees the following day – the “this is America!” speech – would also, never, not in a million years, be enough to satisfy a base-wage fast-food employee, let alone a whole crew of them. Regardless, Fring speaks the words and the employees cheer and rally, and the whole dangerous, gang-related, terrifying incident they had all endured magically disappears.

That is asking too much.

The Jimmy story-line is more reserved, illustrating the ‘Cain and Abel’ nature of Jimmy’s relationship with his brother. It’s collected and procedural, as Jimmy plants Mike into Chuck’s house in the guise of a repairman in order to collect evidence; the question as to ‘why’ will likely be addressed in next week’s episode, and attempts at prognostication will be relatively useless. One could guess that Mike has been planted in order to gather evidence of Chuck’s lifestyle in order to support a claim, in court, that Chuck is mentally unstable. Time will tell on that one.

Some plot-holes and inconsistencies are, as always, forgivable in a fictitious universe – inevitable, even. This episode broke some walls and provides some reasons for concern, but this may just be a hiccup as the writers find their way from the point ‘a’ to the point ‘b’ of the story. We see a developing relationship between Mike and Gus, and we see a continuation of Jimmy’s conflict with his brother. Gus offers Mike a position that “will depend on the work,” and Jimmy appears to be setting a trap for Chuck in order to discredit him.

Next week, I predict, will offer some answers to our lingering questions.

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May 01, 2017 – Vintage Tucson

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We’re beginning the new month with a theme of ‘interesting places,’ but this will be a loosely interpreted theme. I don’t always uphold the rules of the month entirely, but there certainly isn’t a a dearth of interesting, weathered, creative, or otherwise unique little corners of the world.

There are a lot of interesting old buildings in Tucson, as the desert city rose into greater prominence in the middle of the 20th Century. State highways were lined with service stations and motels, and American ‘car culture’ was alive and well. In some ways, Tucson was something of a stopover as people made their way to California, and that’s precisely where many of the old motor lodge neon signs come from along the Old Benson Highway.

This image, just south of Downtown Tucson, has recently been rehabilitated and the neon sign has been repaired and re-lit. I’m happy that the structure is being preserved, but I also have this strong affinity for these old, rusty, rickety buildings. I guess there’s something to appreciate on both sides of that coin, and there’s definitely something to appreciate when an old relic of a building is once again inhabited, rather than vacant and in danger of demolition.

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April 30, 2017 – Abstract April Finale

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“Quit trying to find beautiful objects to photograph. Find the ordinary objects so you can transform it by photographing it.”
~Morley Baer

This months blew by quickly; I can’t believe that Abstract April is coming to a close. I had a lot of fun putting these images out there, even though I know that abstract photography can be difficult for some people to appreciate. I do like looking for interesting compositions, strange textures, and random objects – this kind of photography is like a scavenger hunt, and it motivates me to play closer attention to the world around me.

I think to start out next month, I’ll be taking a step back from a lot of the macro photography that dominated this month’s images. Rather than surfaces and textures, I think the them of May will be ‘Places.’ I think that’s a sufficiently vague theme to give me decent breathing room. I hope you’ll join me.

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