In my spare time, collecting vintage photographs, there are always a few that stand out. This one is almost a cliche – a bunch of suits with fedoras and cigarettes marching down the boardwalk like the gangsters in the opening scene of Reservoir Dogs. This photograph always pleased me, so naturally I had to share it.
“I am a firm believer that every few years one needs to shake one’s life through a sieve, like a miner in the Yukon. The gold nuggets remain. The rest falls through like the soft earth it is.”
“Men make history and not the other way around. In periods where there is no leadership, society stands still. Progress occurs when courageous, skillful leaders seize the opportunity to change things for the better.”
~Harry S Truman
“The longer you look at an object, the more abstract it becomes, and, ironically, the more real.”
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Film February continues with yet another recurring theme in the pantheon of old subject matter. Some people miss out on what’s going on around them because they stare at their shoes rather than look around. There’s nothing wrong with staring at the ground, if you ask me – there’s a lot going on there.
As I’ve mentioned in previous entries to this project, street photographer Aaron Siskind played a major role in inspiring a younger version of myself. Seeking out interesting compositions in mundane places became something of a game. While interning at The Center For Creative Photography in Tucson, I also became deeply fascinated by a photographer named Minor White, who also had a tendency to isolate seemingly normal, everyday objects and somehow manage to make them alien, interesting, unique.
There is definitely something magical about working in black-and-white film.