June 18, 2017 – DJ Joshua Pocalypse

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I can’t even tell you what happened to Joshua Pocalypse, friends. I met him five years ago when he was making music before an event at a local club. He was – and likely still is – a musician. He’s a DJ with a supremely keen ear. And, from what I recall, he paid his bills working for his father’s business at a coffee roasting company.

Can’t seem to pin him down on social media, although I know he was on Facebook at one point or another in the past. Nevertheless, today’s image is one of a DJ, performing for a club slowly filling up with people. There was an intensity to him that I found very magnetic. I like to think that the images here speak for themselves.

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A Lost Portrait

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Almost ten years ago I was laid off from work. It was like being dumped for the first time – I didn’t know quite how to take it or what to do, and it hurt. I had recently moved into an old cinder-block garage that had been converted into a guest house. A dreary place with low ceilings, no climate control, swarming with termites. The air was so thick during the monsoon season that my photographic prints stuck to each-other, ruining them, and the lower areas would collect pools of water.

In short – it was an adventure. Enough time separates the ‘then’ and the ‘now’ that I have some fond memories of sitting on the “living-room” floor with my friend Tammy, playing songs on the acoustic guitar by candlelight when the monsoon storms knocked out the power, a ceramic plate between us on the floor with tobacco and rolling papers. I spent all of my time reading the backlog of books in my collection and would go on bike rides around town.

Another of my friends, Megan, spent a lot of time being a lazy bastard with me, too. Many, many years ago I promised her I’d make a painting of her. As time passed, she would always remind me and I would always tell her I’d get to it eventually. While digging through some old hard drives looking for material for the ‘Image A Day’ project, I found an old folder with some snapshots from that summer of uncertainty, alongside a halfway completed digital illustration. I decided to set everything aside and finally finish it.

The irony, of course, is that Megan has vanished from social media, so I don’t even have the pleasure of tagging her. Smart phones were barely a thing, I was too poor to have one at the time, and none of my old flip-phones survive. So she’s lost to the ages, floating out there somewhere. With any luck, this post will magically cross her path.

In either even, it feels good to cross another project off the infinite list.
Onward and upward.

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April 19, 2017 – Street Patterns

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“Vision is the art of seeing what is invisible to others.”
~Jonathan Swift

This is a photograph of a storefront near the University of Arizona. Cheap Chinese noodles, walking distance from the photography department on the corner of Park Avenue and Speedway Boulevard. And yes, I agree with today’s quote quite a bit. My vision is that anything, any and all visible things, are interesting – and if viewed the right way, from the right perspective, with the right temperament, any and all visible things are exquisite and beautiful.

That’s why I’m in the business of making pictures.

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February 20, 2017 – Analogue Landscapes of the Digital

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This is probably my favorite thing about photography – it’s a tool that lets the photographer share images with the world that would otherwise remain in the shadows, ignored, misunderstood, or unrecognized. This is a photograph of the metal casing and interior parts of a computer hard drive. The steel case has corroded from humidity, giving it an organic and interesting texture, and edits have been made to the color.

There is a whole world that exists in our bedrooms, in our pockets, inside our car doors. We never see what’s inside of our television, and we usually don’t question how the light-emitting diode actually functions, even though we’re obsessed with all of the flickering screens in this modern world competing for our attention.

This image is a meditation on that invisible world.

“Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph.”
Matt Hardy

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Save

February 08, 2017 – An Antique Land

east-helen-post

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The difficulty with making anything that could even closely be mistaken for art is that art is entirely subjective. We live in a highly interconnected world, and there are volumes of online videos, written articles, marketing books, and web pages dedicated to “hacking” yourself into financial success. That’s fine, except it reduces art to a craft – identify your niche in the market, and then do nothing but the same thing, over and over and over again until it’s time to retire.

There’s a lot of beautiful work made by incredibly talented people who adopt this model of marketing, but I can’t quite seem to hop aboard. I don’t want to sit down, do some social media research, and then spend the rest of my life making different versions of the same picture. I suppose this is why I haven’t ever struck it rich as a creative professional – but I’m definitely satisfied when I finish a piece.

This is the newest image in a series that I started about a decade ago, called ‘An Antique Land,’ a line borrowed from Percy Shelley’s poem. To me, this series of architectural ‘portraits’ taps into the impermanence of our communities. But I prefer not to comment much beyond that; I don’t like to tell people what to think about this kind of work. My interpretation, or my intent, doesn’t imbue this images with significance. I like the idea of people looking at this kind of work and bringing their own ideas to the table.

Until next time, folks. I’ll be seeing you soon.

“A photograph is a secret about a secret. The more it tells you the less you know.”
Diane Arbus

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