February 03 – Drive Thru Liquor

02-03 DriveThru Liquor post

“Film February” continues with this little gem, taken using another one of my handy-dandy vintage film cameras.

Folding cameras were a mid-century fad, dominating the post-war market. You had the style of accordion bellows, but in a handheld package for ease of use. These were imprecise cameras, to sum them up succinctly, but black and white film stocks had a lot of latitude. A poorly exposed negative could still yield a pretty decent print.

Learn more about the Sears & Roebuck Tower Series of cameras here.

Today’s photo of the day comes from Stone Avenue in downtown Tucson, across the street from the police station. I have no hard confirmation, but the rumor goes that Texas is responsible for the grand innovation known as the drive-through liquor store. The source of so many an absurd idea, Texas seems as good a candidate as any; I’m inclined to believe it. In any event, they’re scattered across the southwest like jacks.

This was the maiden voyage of my Tower ’52. I’m pretty sure that this is the very first exposure I made with the camera, which I’d purchased at an estate sale on Tucson’s east side (along with about two dozen other camera bodies). The compression plate is bent, so the film focus falls off on the left and right edges, but it’s this kind of imprecision that makes old cameras fun to work with. Unpredictable things happen, and you never know what the film is going to look like until you develop it.

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January 24 – Downtown Tucson

01-24 Rio Nuevo post

I was a freshman at The University of Arizona back in 2001. The whole of downtown Tucson has completely changed in the years since then. University Boulevard was a third-world country; the old brick buildings at the intersection of Park & University were a shelled-out scene reminiscent of 1980s East St. Louis. The only missing set-piece would be an arrangement of chopped cars on cinder-blocks. The old drug store was razed that year, piles of bricks and construction equipment lined the streets, and the sound of jackhammers provided the background music audible from my eighth story dorm room in Coronado Hall.

Downtown wasn’t entirely different. Congress Street, the main thoroughfare, had it’s own share of problems. The Screening Room still had events every weekend, Hotel Congress was a hub for live music & adult beverage, and The Grill – open twenty-four hours – always had coffee, beer, and tater tots for the restless insomniac artist. The scene was markedly different in the light of day, though; many of the storefronts on Congress were shuttered and vacant, rents were low, and a series of businesses seemed to play musical chairs with commercial space.

A lot has changed since then.

Today’s ‘photograph of the day’ is an old market just south of Tucson’s downtown area on 6th Avenue. I don’t have a lot of information about the old business, but I’m guessing it was one of the many bodegas near Barrio Viejo that eventually fell into irrelevancy. The structure appeared to sit vacant during the entirety of my tenure in Tucson, the ten years stretching from 2001 to 2011.

Revitalization hasn’t just hit Congress and 4th Avenue – the old KY Market has been purchased by a gentleman named Danny Vinik and converted into a multimedia space for his company, Brink Media. I worked for the company, briefly, but I don’t think I possessed quite the skill-set, and the project I was working on didn’t seem to be too tremendously focused. The people that work there, however, are some of the most brilliant web developers, graphic designers, and videographers I’ve ever met. I was happy to be a part of the operation, short-lived and fruitless as it may have ultimately proved to be.

I have a lot of pre-restoration photographs of downtown Tucson, and this is one that has a little bit of meaning for me. Progress happens, and I’m happy knowing that the building is finally being put to use; one of the greatest friends I’ve ever had works there today. But I also selfishly enjoy the rustic aesthetic of abandonment. Maybe I just have sour grapes that the whole time I lived in Tucson, the whole of downtown was like a pile of rusting beer cans in the desert, and now it all seems to have sprung to life – you know, now that I’m not there to enjoy it.

So it goes.

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January 19 – The Old Aztec Theater

01-19 Art & Athletics post

“Unless we tell stories about ourselves, which is all that theater is, we’re in deep trouble.”
~Alan Rickman

– – –

Winter-time in Kansas City is like summer-time in Tucson – the streets looks deserted most of the day, as if everybody packed in the middle of the night and fled without notice. Instead of tumbleweeds, the crisp air carries dead leaves and newspapers.

I went on a walk in downtown Shawnee, through the nearby cemetery and up towards city hall. The temperature has been hovering in the teens and twenties; needless to say, I didn’t see any other pedestrians, save for the poor pitiful fool dressed as the statue of liberty, promoting a tax prep service on the corner. There ought to be a law against that kind of cruelty.

Pictured here is the Old Aztec movie theater.

The Old Aztec was designed by the Boller Brothers architectural firm of downtown Kansas City, Missouri. Their designs ranged widely in size and style, from minor vaudeville houses to grand movie palaces. To date, about twenty surviving Boller Brothers theaters are listed on the National Register of Historic Places. The Old Aztec is clearly among the smaller houses, commissioned by Shawnee’s third mayor, Mr. Marion Summeror, and opened on Labor Day in 1927.

It was named Aztec in the 1940s after it was acquired by Dickinson Theaters. The current signage was installed in 1972 after the theater was purchased by the Pflumm family. Closed for renovations in the summer of 1975, the theater never reopened. There was a time in 2005 when the building changed hands again. Renovations began again, too. The outside has been finished, but the project stalled and the status of the theater is not known.

I like the way old towns feel, although that sense of Main Street life has largely melted away. This little intersection in Shawnee is surrounded by an ocean of strip malls and shopping centers, traffic congestion and highways. But for one block, you can dig your hands into your pockets, bury your head between your shoulders, and walk down the sidewalk against the wind. You can look up at the old marquis and consider a time, almost a hundred years ago, when people walked the same streets, through the threshold and into theater, to watch a silent film dance across the canvas screen of a true American movie house.

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