February 23 – All

02-23 All post“Pictures, abstract symbols, materials, and colors are among the ingredients with which a designer or engineer works. To design is to discover relationships and to make arrangements and rearrangements among these ingredients.”

~Paul Rand

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No flowery words today. Film February marches on with this very basic composition, taken with my first real camera, the Nikon N80 that my parents got me. Up until that point, I was using an old Canon with a broken manual rewind lever – it would take about five minutes to wind the film after finishing a roll.

This picture was made using my favorite film stock, a color-reversal stock from Fujifilm called Velvia. It was pretty expensive film, so I never used it much, but it produced these rich colors that always seemed to take the most basic, common, mundane, and forgettable subject matter leap up at you.

A faded practice, film photography, for the faded paint lettering on an old building.
Seems appropriate enough.

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February 21 – Manhole Cover

02-21 Manhole Cover post“The longer you look at an object, the more abstract it becomes, and, ironically, the more real.”

~Lucian Freud

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Film February continues with yet another recurring theme in the pantheon of old subject matter. Some people miss out on what’s going on around them because they stare at their shoes rather than look around. There’s nothing wrong with staring at the ground, if you ask me – there’s a lot going on there.

As I’ve mentioned in previous entries to this project, street photographer Aaron Siskind played a major role in inspiring a younger version of myself. Seeking out interesting compositions in mundane places became something of a game. While interning at The Center For Creative Photography in Tucson, I also became deeply fascinated by a photographer named Minor White, who also had a tendency to isolate seemingly normal, everyday objects and somehow manage to make them alien, interesting, unique.

There is definitely something magical about working in black-and-white film.

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