That Long, Old, Forgotten Project…

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I don’t even know how to advocate ‘art for art’s sake.’ The notion has always felt like a total cop-out, at least to me, for creative types. You know, somewhere along the line of “you just don’t get what I do” as a deflection when audiences don’t respond positively to a body of work. I am hugely of the opinion that artists don’t just make work for themselves, quietly hoping that other people like it. People who crumple and flee, screaming “you just don’t get it,” would do better painting a mural on their van. Creative types are always – whether consciously or unconsciously – concerned with the attitudes and opinions of the people that might see their work.

An artist, ultimately, isn’t really an artist without an audience.

At the same time, I have boxes upon boxes upon boxes of photo prints, sketch books, illustrations, and paintings – things I made because I had the free time, the tools, and was indulging in doodles, exercises, and free association. I have an avalanche of compositions that I made ‘just because.’ It can be exhausting trying to justify every composition, every brush stroke, every print. Sometimes an object or color or concept strikes my fancy, and I would be hard-pressed to find a precise explanation why.

I know I could completely b.s. my way into a reason why I made the above image, and I have several hypotheses. But this is an image made on instinct, without specific intent. I celebrate the idea that my audience, on occasion, might bring their own ideas into the mix, providing their own interpretation. That’s the beauty of working in an abstract, or semi-abstract style.

Sometimes the analysis is better left in the hands of the critics, the philosophers, and the psychologists. Nobody asks a five-year-old why they painted something, but there will always be a team of people who will have a theory. And hell, I’m interested in your insight. Feel free to tell me what you think this image is all about. Maybe I’ll learn something about myself.

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