Most of us remember the 1999 groundbreaking film “The Matrix,” and most of us enjoyed it enough to forgive Warner Brothers for the cash-grab follow-ups, which will not be discussed here. It introduced a revolutionary new visual style and participated in the invention and popularization of bullet-time photography, which has been adapted, modified, and used continuously in movies and television ever since.
We might also remember that the film was directed by The Wachowski Brothers.
As it turns out, Larry Wachowski (now Lana) is transgender. Rumors began to circulate in the early 2000s that Lana was transgender, but the siblings kept this information private until after Lana’s transition in 2008. The earliest publication to mention Lana by her new moniker, and to refer to the siblings simply as ‘The Wachowskis,’ occurred in 2010. She has been very active in the transgender community ever since, eventually receiving The Human Rights Campaign’s ‘Visibility’ Award.
Just this month, Andy Wachowski also came out as transgender and has adopted the name Lilly.
Lana has expressed in several speeches and interviews that she had considered committing suicide in her youth because of her feelings of confusion about identity. In retrospect, it’s interesting to note that themes of identity are common in films made by the Wichowskis. One of the earliest examples is “The Matrix.” The main character struggles with accepting the possibility that he may be a messiah figure. But there’s also an interesting tertiary character, Switch, who is a clear expression of the Wachowskis’ gender identity. One of Morpheus’s cohort, the character was intentionally designed to be androgynous, and the script even reveals that Switch was supposed to be female in the ‘real’ world and male while in ‘the matrix.’ This was narratively designed to illustrate the concept of “residual self image” explained by Morpheus as a projection, while in the matrix, of one’s most concise and accurate image of Self. While biologically female, Switch views himself as being male.
Casting the character proved to be challenging; time and budget constraints eventually motivated the Wachowskis to abandon this concept, and androgynous Switch was developed, with a pretty ‘on-the-nose’ name. The fact that the character Switch was written in the manner it was, however, clearly points to the very real possibility that The Wachowskis were working through their own gender identity circumstances, and reflects how meticulously constructed the first Matrix film was assembled (and why that first film continues to be a contemporary classic).