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I was reminded of this painting, based on a photograph, by an unlikely figure: Facebook.
We all have a profile and engage in it’s meticulous, brilliant distraction. Over the past several weeks, I’ve plucked the crust from my eyes each morning and reached over to quell the grating sounds of my alarm clock – which would also be my phone. Usually there’s a recommendation from our social media overlord to reminisce and share an old memory – I’m guessing they’ve been pulling at your nostalgia-strings too. The catch, at lease for me, is that the past twelve months of my life have been, mildly put, troubled.
Facebook’s algorithms have yet to filter out the job losses, financial woes, marital strife, and death. It’s hard to fault an equation for hoisting my life’s misery back upon me, even as I scramble to escape the sense of demoralizing defeat, but there it is, like a mirror, holding your failures as a civilized man right up to your face.
Today, thankfully, brought a different narrative. Rather than a friend-turned-enemy or a recently-deceased compatriot, I was reminded of a painting I’d made and quickly forgot about. I made a simple picture of a crisp, lifeless twig; I was satisfied. The canvas of the earth shifts during the winter time; colors turn from vibrant to monochrome. A very good and close friend, deeply religious, often speaks of God’s divine design, proclaiming that “the colors of His palette never clash.”
I certainly couldn’t be described as a religious or faithful human being, but my friend is right. The colors of the natural world do not compete for glory – they sit side-by-side in exquisite harmony, promoting a sensory experience that is indeed “miraculous,” and can easily be described as “heavenly.”
And now I spread my gospel to you.