Tag Archives: colorist

February 02, 2017 – Chemical Reaction

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chemicalcoolpost

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This is about as abstract as abstract photography gets. In fact, this image could hardly be called photography, save for the fact that it was constructed using photographic paper and photo developing chemicals. Beyond photography, I woul venture to describe these kinds of images as “chemical paintings.”

Anybody who has worked in a darkroom knows that, at one point or another, the artist is going to accidentally expose an entire box of photo paper – and once light hits your photo paper it’s useless to draw traditional prints from.

I began to experiment with photo paper, using paintbrushes to paint photo developer onto ruined paper to see what kind of patterns I could create. In this instance, I took exposed paper (which would simply turn pure black if submerged into developer), and poured india ink into the developing bath, expecting the milky clouds of ink to slow the light from penetrating through and altering the final result. I would then lift the partially developed print and dunk it immediately into the fixer bath to stop the developing process in its tracks before the whole print turned solid black. I wound up with a serious of these nebulous abstractions, which I would then apply colored dyes to.

I really enjoy how this series turned out. I would love to know what you think of the image, and the process.

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January 12, 2017 – Abstractions

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Today’s image is a throw-back to a years-long phase in my development as a photographic artist. After working at The Center For Creative photography, I became unapologetically obsessed with the works of Aaron Siskind and Minor White and Beaumont Newhall. I had never considered the camera as an effective device to make abstract images (in the most literal sense, cameras can only document actual object that are actually in front of the lens, so the idea of ‘abstraction’ is counter-intuitive), but began seeking out compositions, colors, and textures.

I spent most of my free time walking around Tucson – where I lived at that time – looking behind dumpsters, in the more colorful and decrepit neighborhoods, behind shops, and through alleyways. Chipped paint, graffiti, rusted metal – these became my obsession.

Whenever I feel like I’m struggling with a creative idea, I know I can always take an urban hike with my camera and find something interesting. This image came from an alley in Flagstaff, Arizona. I was on a road trip with my girlfriend and, as most photographers do, I tortured her with my constant detours. This is, for reasons I’m not entirely able to articulate, one of my favorite captures from that visit.

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Cardinal (illustration)

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Cardinal postFINE ART PRINTS AVAILABLE HERE

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Life sometimes gets in the way, and I haven’t had the opportunity to really pour myself into a project recently. My uncle, who has fallen ill, has been on my mind. Family is in from out of town, and everybody is coming together to see this whole things through.

One of the things that has completely stuck with me, though, is my uncle telling me that one of his favorite things to do is sit outside in his backyard. He enjoys spending time listening to the birds. At first, I think people gave him grief about it; it’s odd to sit on a porch and stare up at the sky for hours at a time. But then, if your time on this earth might just be running out, I would also imagine that the sound of a gentle breeze coursing through the trees might sound that much more soothing. The sound of birds chirping might sound that much sweeter.

Everything changes when you realize you’re living on borrowed time. When you realize how little you may have left.

So, thinking about these things, I sat down yesterday and worked on this illustration. It’s based on a photograph I took last year. I’ve always had a tough time getting decent photographs of birds, and one afternoon this cardinal managed to just hang out, for a good long while, on the tree outside our living room window. I’m sure my girlfriend thought I was crazy, walking back and forth, to both ends of the house, out the front door, through to the back door, moving like a slow lumbering, stalking maniac with a gigantic camera lens clutched in his fists.

But every moment truly is a gift. Even when we obsessively try to snap a picture of a bird and curse under our breath when we can’t get our camera to focus properly. Every moment is a gift, because we only ever get to enjoy each moment once. Enjoy your day. Find an excuse to smile. It’s important.

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February 23 – All

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02-23 All post“Pictures, abstract symbols, materials, and colors are among the ingredients with which a designer or engineer works. To design is to discover relationships and to make arrangements and rearrangements among these ingredients.”

~Paul Rand

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No flowery words today. Film February marches on with this very basic composition, taken with my first real camera, the Nikon N80 that my parents got me. Up until that point, I was using an old Canon with a broken manual rewind lever – it would take about five minutes to wind the film after finishing a roll.

This picture was made using my favorite film stock, a color-reversal stock from Fujifilm called Velvia. It was pretty expensive film, so I never used it much, but it produced these rich colors that always seemed to take the most basic, common, mundane, and forgettable subject matter leap up at you.

A faded practice, film photography, for the faded paint lettering on an old building.
Seems appropriate enough.

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